![]() Many of the film’s sights had never been witnessed or photographed before Fothergill and the BBC Natural History Unit set out to create “the definitive look at the diversity of our planet,” as “Planet Earth” is not unreasonably billed.įilmed in stunning high-definition digital video, the luminous imagery looks even better on the big screen - reason enough for “Planet Earth” lovers who’ve seen it all before on DVD to experience Earth in theaters. Adapted by directors Alastair Fothergill and Mark Linfield from producer Fothergill’s groundbreaking 550-minute BBC miniseries “Planet Earth,” Earth offers an impressive selection of some of the most astounding images ever captured of the natural world. Giraffe and zebra placidly wade, baboons clumsily wobble waist-deep on two feet, and exhausted, dehydrated elephants joyously cavort and even swim. Our planet narrator for free#It gives us the oxygen we breathe, it gives us so many natural resources for free that we use…I guess, because it is for free, we don’t pay a price for it, but nature’s paying the price for it.In New Guinea, a male Superb Bird of Paradise pogos energetically up and down in circles around a diffident female, its head swallowed in a wide erectile cape - a bizarre, hopefully impressive oblong fan of black plumage with a slash of blue across the bottom, like a gaping mouth below its shining eyes.Ī menagerie of African animals, struggling through the parched Kalahari to the Okavango river for the seasonal floods, luxuriate in the extraordinary abundance of water. “I’m really pleased that conservation has found a voice and that we can hopefully make a difference through these programs,” she tells Deadline. Our planet narrator series#The end result has been a series that’s contending for awards, and changing how many viewers see nature and a rapidly changing environment, Lanfear believes. They then do the same process at their end.” “Once we were happy with the script, we sent it to WWF. Those have to all come from peer-reviewed science, so it wouldn’t just be personal opinion, or blog, or Wikipedia, or anything like that,” Lanfear states. “We’d have at least three sources per fact-three independent sources saying roughly the same thing, or in agreement. Our Planet being a scientific series, the vetting process for the scripts is daunting. “You just get rid of any kind of superfluous commentary and anything that isn’t adding value to the picture.” The smaller the word count, the more happy you are with it,” Lanfear comments. “We have a slight competition between producers, like the word count. But the writing mostly comes down to producer/directors responsible for each individual episode. He just lives and breathes and understands it, and that comes across in his narration.” NetflixĪttenborough “helps polish the script,” Lanfear notes, as do the seasoned executives at Silverback Films, the production company behind Our Planet. He’s just so passionate about the natural world, and he just gets it. “He reads through the script once, and yeah, there will be a few tiny pickups to do, but the intonation, the emotion, the heart, the delivery is pretty much spot-on the first time he reads it. “When you’re with him in the, it’s a performance, and you just realize how incredible he is at what he does,” Lanfear marvels. He won the award last year for his work on Blue Planet II. The 93-year-old naturalist narrates the series with a verve that earned him another Emmy nomination this year for Outstanding Narrator. The focus on conservation is one the reasons Sir David Attenborough wanted to participate in the series, Lanfear says. And what can we do to help?’ If there’s anything in my career I could have ever achieved, it was that-to get people to write and say, ‘You’ve kickstarted me into thinking about sustainability in my own life.’ And that’s why I do what I do.” Yeah, it was awful, but I’m so glad you showed it. “Everyone that’s contacted has been overwhelming in that they’re like, ‘Yeah it was a hard watch. “It’s a pretty disturbing sequence,” she observed at a documentary panel discussion in Los Angeles this week. The animals would be laying on sea ice if they could, Lanfear has noted. “And each episode, the aim was to take each habitat and to explain how it works and the value of that habitat to the planet and to the animals living there, but also then show some of the problems that are facing those habitats.”Ī loss of sea ice and habitat factors into one heartbreaking portion of the “Frozen Worlds” episode-Pacific walruses falling to their deaths from atop cliffs. “We have a social responsibility to show the impact humans are having on the planet,” Lanfear insists. ![]()
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